The transnational journey of the play, from the stages of Sofia to the theatres of Norway, not only symbolises a deep cultural exchange but also showcases the play's universal appeal. The project, uniting actors and audiences across two countries, brought a fresh perspective to Ibsen's masterpiece, highlighting its enduring relevance and the shared human experiences it encapsulates, regardless of borders.
Bulgarian Director Katya Petrova's vision for 'Peer Gynt' was to catapult the audience into a realm of introspection, to ponder life's profound questions through the lens of modern spirituality. "Peer is like all young people who travel the world and want to get what it gives,” she reflected, encapsulating the universal appeal of Ibsen's work.
The project, a collaboration between Theatre Sofia and the Centre for Ibsen Studies at the University of Oslo, has been a great example of sharing cultures. It brought together Norwegian and Bulgarian talent, with the participation of Professor Ellen Rees and researcher Liyang Xia, both from the University of Oslo. They provided valuable insights into Ibsen's life and his role as a pillar of modern drama.
Beyond stages
The project's scope was ambitious, reaching beyond the stage. Seminars and workshops spread Ibsen's influence, delving into the heart of his texts and their global interpretations. Prof. Xia's research illuminated how 'Peer Gynt' has been adapted across cultures, a testament to its universal relevance.
The journey of 'Peer Gynt' under the "Peer Gynt Travels" project has been nothing short of remarkable, transcending borders and touching hearts. This contemporary rendition of 'Peer Gynt' explored existential themes central to human nature: self-identity, choice, the eternal quest, and the transformative power of realizing life's true values. The play was presented to Bulgarian audiences in small settlements, reaching out to communities far and wide.
One of the project's highlights was the recent closing performance in Oslo, where the emotional connection between the actors and audience was palpable. This performance, alongside the ones in Bulgaria, symbolized the project's overarching goal: to make culture and arts more accessible, and to showcase the timeless relevance of Ibsen's work in our modern world.
Iriney Konstantinov, actor and director of Sofia Theatre, shared his unique experience with the Bulgarian news agency BTA: "It felt as if we were performing this play for the first time - a new environment, a new place, in very close contact with the audience, a new inner transformation of each of us." The performance was received with overwhelming enthusiasm.
A documentary was also created, charting the show's creation. It traced the journey from the initial spark in Iriney Konstantinov's student days to its grand staging. "What's more Norwegian than Peer Gynt!" exclaimed Konstantinov, encapsulating the national significance of Ibsen's work.
In a moment when the theatre needs something to elevate its existence, something that is different from the entire theatrical scene, I thought about Peer Gynt. I have played in a few plays by Ibsen and I am well familiar with him. Even by hearing his name, one stands up in respect of this proud Norwegian. One fine day, it’s as if fate has brought us the idea to apply for funding under the EEA and Norway Grants Culture Programme and this is how it all started. Iriney Konstantinov, Director of the Sofia Theatre
The project "Peer Gynt Travels" was supported by the EEA and Norway Grants’ culture programme in Bulgaria and aims to improve access to culture and art for the public from small cities. The culture programme focuses on enhancing social and economic development through cultural cooperation, entrepreneurship, and heritage management. It aims to improve cultural heritage management, increase public access to arts and culture, and foster mutual understanding between various cultural groups, especially the Roma. The program supports a range of activities, including projects in museums, galleries, libraries, and cultural events, and emphasizes bilateral cooperation between Bulgaria and donor countries, particularly Norway, through workshops, study visits, and cultural exchanges.
As we close this chapter, we invite you to explore the fascinating world of culture projects under the EEA and Norway Grants. Dive into the stories of cultural collaboration and be part of the ongoing narrative of global art and culture.
Find out more about the culture programme in Bulgaria and read more about the Peer Gynt project here.
